From Paris to Palo Alto: a year of exhibiting across four continents

Reflecting on 2025 — from Vivatech in Paris to Beeple Infinite Loop in Palo Alto and everything in between.

A year in motion

2025 was the most geographically dispersed year of my practice. The exhibitions spanned Paris, Florence, Lisbon, Tallinn, Bologna, Mexico City, New York, Aarhus, London, and Buenos Aires — a circuit that felt less like a tour and more like a sustained conversation across different cultural contexts about what digital art means and who it is for.

What changes, what stays the same

Showing the same series in a crypto-native art fair in Lisbon and a mainstream technology conference in Paris produces very different readings of the work. At NFC Summit, the audience arrives already fluent in concepts of digital ownership and generative systems. At Vivatech, the question is more fundamental: what is this, and why does it matter? Both conversations are valuable.